To much confabulation succeeded a sound of scrubbing and setting to rights; and when I passed the room, in going downstairs to dinner, I saw through the open door that all was again restored to complete order; only the bed was stripped of its hangings. Leah stood up in the window-seat, rubbing the panes of glass dimmed with smoke. I was about to address her, for I wished to know what account had been given of the affair: but, on advancing, I saw a second person in the chamber--a woman sitting on a chair by the bedside, and sewing rings to new curtains. That woman was no other than Grace Poole.

     There she sat, staid and taciturn-looking, as usual, in her brown stuff gown, her check apron, white handkerchief, and cap. She was intent on her work, in which her whole thoughts seemed absorbed: on her hard forehead, and in her commonplace features, was nothing either of the paleness or desperation one would have expected to see marking the countenance of a woman who had attempted murder, and whose intended victim had followed her last night to her lair, and (as I believed), charged her with the crime she wished to perpetrate. I was amazed--confounded. She looked up, while I still gazed at her: no start, no increase or failure of colour betrayed emotion, consciousness of guilt, or fear of detection. She said "Good morning, Miss," in her usual phlegmatic and brief manner; and taking up another ring and more tape, went on with her sewing.